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FILM REVIEWS
Mar 13, 2023
EMPIRE OF LIGHT
Empire of Light doesn’t know what kind of movie it wants to be and on the few instances it does start to get interesting, a cliché script...
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Mar 1, 2023
A MAN CALLED OTTO
Casting Tom Hanks against type is by far the best decision the picture makes but it doesn't remove the distinct, sickly sweet vanilla...
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Feb 28, 2023
WOMEN TALKING
Forget about that Best Picture nomination: one can only call Women Talking an annoyingly self-important snoozefest. Women Talking is one...
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Feb 15, 2023
ANT-MAN AND THE WASP: QUANTUMANIA
Despite the introduction of new big baddie Kang the Conqueror much of the events in the film have frustratingly little impact on the...
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Feb 1, 2023
KNOCK AT THE CABIN
Knock at the Cabin’s worst mistake is that the story is all text and no subtext, with a narrative that goes exactly where you expect it...
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Jan 22, 2023
OPERATION FORTUNE: RUSE DE GUERRE
Operation Fortune lends itself for a fun heist, but in Ritchie’s hands the twists and turns are sorely lacking and the characters are...
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Jan 9, 2023
THE PALE BLUE EYE
The Pale Blue Eye never comes within touching distance of the tales Edgar Allan Poe built his reputation upon, as the mystery gets more...
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Jan 1, 2023
WHITE NOISE
What’s supposed to be a darkly comedic look at mid-eighties America in Baumbach’s hands becomes a woefully unfunny, numbingly talkative,...
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Dec 28, 2022
THE GANGSTER, THE COP, THE DEVIL
A major flaw of this thriller is its tempo, while the acting skews towards stereotypes and the visual aesthetic of the film appears to be...
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Dec 23, 2022
AVATAR: THE WAY OF WATER
The second Avatar film will probably have an even lesser cultural footprint than the first, as James Cameron pummels you with bad...
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Dec 22, 2022
BARDO: FALSE CHRONICLE OF A HANDFUL OF TRUTHS
Bardo indulges too much in its own surreal idiosyncrasies and has hardly any interest in satisfying anyone else but the director and his...
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